Issue 14, Jul-Aug 2007 

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Aruni Kashyap

Aruni Kashyap



Photograph by G Ramakrishna Rao

 


Rewaghuli


[It was only once that I went to Rewaghuli. But before that, it was a land that was always mysterious and forbidden to us. It was a land that swarmed and ‘smelled’ of people who were ‘dirty’ and ‘uncivilized’; a space where people ate ‘things’ which were not supposed to be eaten and if the children there excelled in education, if at all someone in sometimes in a blue moon, the reasons behind it were soon enumerated spitefully in the nearby dehen village- a term use by the Karbis of Rewaghuli to describe non-Karbis. There were no tensions, no fights, no condescending remarks, no revolt, no resistance from the people of Rewaghuli; partly because they thought they were destined to be that way and partly because their social and economic existence were defined and protected and validated by the norms and customs of this dehen village itself.

But this strong sense of caste prejudice pained me as a young child. That was not because I was aroused with concern for the ugly tensions in our society, but because I couldn’t go there, explore those forbidden terrains. One girl, whom we used to call Peelu Baideu (elder sister), eloped with a boy from Rewaghuli and she could never come back home again for any puja, any bihu and any funeral….

Those were the days long before I started loitering freely in Rewaghuli, as a man of about twenty years old. But have things changed? There is greater degree of tolerance, lesser resistance. But the mentalities and the attitudes are the same. I don’t see much difference in these.]

Rewaghuli

 

If you stride across briskly

playfully

Over the dead dry mellow grass

and go to Rewaghuli,

in a sparkling dewy morning—

Crossing the cow-dung-mopped

pale-algae-green courtyard

pushing aside the fat bholuka-bamboo gate,

in the evening, it is                                            

just like stealing a Magh bihu  rice powder cake

from a smoky, cobweb dominated  kitchen;

 

Where corrylium wearing cobwebs

hang like grandma’s folded and wrinkled skins

from a furry sky.

 

It’s not that you can scoop up

Seluks from the golden grass’s feet

easily;

But that’s at least easier than crossing Rewaghuli

At least, no bamboo canes with fine prickly horns

chase you there

with words

with the irrational snobbery of

an unofficial family rulebook

 

If you explore the inverted world in Rewaghuli
you are caned with golden bamboos

(that don’t glitter)

If you pick up a seluk,

and have it un-salted,

You are caned with flying words

that carry creaky colours

and stories

unheard before--

                         in their invisible wings

                         that flutter endlessly

                         like dragon-flies.

                         With dancing rose-red

                         and luminous sky-blue tails.

 

They are words that talk about burrows

of gleaming black fleshy ‘ropes’

(only at night)

and furry naughty brown mongooses.

Of

big

fat

round

brown rats, that sleep on a bed of

stolen golden seeds

Abodes of mysterious many-legged

and legless creatures

that may colour your lips blue,

and turn you

dead.

 

In Rewaghuli, there are ‘burrows’ too—

Of thatched bamboo huts

and of not so high clay-verandahs

of quadrangle rooms

                          somehow standing.

Of walls with a small square eye

                           not wooden and yet

                           painted oily-black;

Of houses, standing wearily

                             without wooden pillars

gomari

chegun

or

balsum and sal

 

Its an inverted world, our elders would say;

 

Forbidden seluks—

burnt and mashed with salt

decorate rice plates

for breakfast

which are not golden.

A green chilli, slim

like a harmonium playing long-nailed finger

a burnt brown flutteringly smelly garlic, in red smolders

garnish their dinners

at the time when we have

our smoky aromatic evening tea.

 

Dal, with fried ginger-garlic-pepper paste,

is only for special people

Who come from ‘town’ in white ambassadors

 

Or

 

When someone die

When a small girl is stained below

For the first time---

 

Then, they cry singing

how difficult it is

to make a village-full of hungry jealous people

and Brahmins

stand under a single banana leaved shade

and a single dining space;

They don’t do it with fanfare

with hindi songs flooding the air

the smell of oil-dripping luchi, loitering languidly.

 

And that leads to the easiest verdict,

‘Heartless people!

Uncivilized!’

 

You should not cross the dry

Egg-yolk field

Stripped off her golden seeds children

and mingle with the Rewaghulians---

It was hammered

into our judgmental heads

 

Our elder brothers

used to blush

and fume red

when some embarrassingly colourful

flying words would rudely clutch their faces.

Scared: they can’t protest

That, small girls dressed in dirty panties

Or women with only mekhalas on their hanging breasts

(like a pair of jackfruits)

were not something as enticing

as the intoxicating white horlang

 

Its intoxicatingly dangerous after all,

to go to that inverted world.

Perhaps, it is---

bormas and khuris and mothers

Who wear a chadar with a mekhela

‘covering everything’

After all know everything about them

including, the secret to the success of

any Rewaghuli student;

After all, we would never bring ourselves to

Drink milky-looking rice starch

and top the class

Like the inverted people of Rewaghuli

Who ‘doesn’t have brains’

until they kill

obese pigs

white-stripped Brahmin-frogs

hairy wild potatoes

and lush blood-red tomatoes

for dinner

and lunch.

 

Glossary:

 

1. Rewaghuli: A Karbi (scheduled tribe in Assam) village below poverty level. The people there are considered to be of a lower caste and hence children from upper caste were forbidden to go there.

2. Magh Bihu: A food festival after harvest during the month of January.

3. Seluks: The round sized roots of the water lilies that remain embedded in the harvested paddy fields during the winter months. A popular edible among children. Tastes slightly bitter; better when salted.

4. ‘Plates… which are not golden’: Reference to a slightly expensive alloy called ‘kanh’ used in Assamese households to serve food; golden in color and glitters like gold when washed with ash and lemon.

5. Mekhelas: A kind of petticoat that Assamese women wear.

6. Horlang: Karbi rice beer.

7. Brahmin-frogs: A kind of frogs with white strips on their backs. Assamese- Bamun (Brahmin)-bhukula (frog, generally male). 

 

 

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